OtherPublications

In 1973, the first horror film directed by a woman was released in Spain. The film was Vera, a Cruel Tale, and its director was Josefina Molina.

'La feria de las sombras' (The Fair of Shadows) is a collective work that explores the fascinating relationship between horror films and circuses, fairs, and traveling shows.

This revised and updated edition of the essay originally published in 2010 by Scifiworld aims to free Spanish genre cinema from the “exploitation” label to which it has been reduced for decades and

What do dreamlike Venice, the city of death, and Los Angeles, the city of dreams, have in common? What do “cultured” New York and “industrious” Detroit have in common?

Four decades ago, TRON (Steven Lisberger, 1982) revealed a new world.

For a new world of goddesses and monsters! And let us remember, to paraphrase Vampira, that demons can be a woman's best friends.

The cultural and social patterns that prevail in the film industry have traditionally identified certain genres as typical of female sensibility, entrusting the leadership of projects within terror

This book is an invitation to explore the various facets of how cinema has portrayed the beast that dwells within human beings. Its pages feature werewolves, Mr.

This book by Pacus González Centeno analyzes how the soundtracks of horror and criminal cinema have reflected the history of the 20th century incorporating rock, pop, jazz and electronic musi

This book celebrates the centenary of The cabinet of Dr. Caligari, the first great classic of fantastic and horror cinema, and explores its immense cinematographic and cultural legacy.

This book examines the phenomenon of Italian 'exploitation' cinema from the perspective of science fiction.

This book reviews the career of film director Michele Soavi, analyzing his most iconic films (Aquarius, The Coven,