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In Sitges, we call Jacinto Molina by the name Paul Naschy. Under this name (that of one of the great totems of Spanish horror), we present one of the most prestigious awards in our festival lineup every year.

it doesn’t take many scenes to realize that Una ballena, by Pablo Hernando, is one of the most special films Spanish cinema has produced in recent years.

To celebrate the premiere of Les chambres rouges, one of the major sensations of the SOFC at Sitges2023, we revisit the article published in the Festival Diary of t

“To rid myself of ambitions related to prestige or box office success, I tend to imagine that each film could be my final message to the world.”

The Heroine of Italian B-Movies 

"When I create, I don’t usually set limitations for myself—I try to make something that speaks about me and how I see the world."

"The Genre Really Needs to Go Further, Try New Things, and Be Brave"

"The Social Perception of Women is Full of Prejudices"

We begin by delving into a portfolio where we look at previous short films with a wide variety of themes, including loss, death, and gender identity. What made you go for horror wi